Author Archives: JT

Harmony Marquis

Just last week we rescued this Harmony Marquis from the Tower Grove area. I made CT wait in the car with it running, because I was certain the dude selling it was an ax murderer.

Anyway- didn’t get murdered. I did however pick up a great old guitar with a few issues. Chiefly among them- the electronics made a horrible noise when plugged in, and the neck was pitched so far forward it was impossible to play.

Step one: rip off the strings, and start some general cleaning. I generally only ever use warm water and a soft rag. When it comes to old guitars, removing dirt and sweat grime is absolutely necessary, as it can break down the wood. What you don’t want to do is use any harsh chemicals that can Johnny Marr the surface, and take away that amazing, aged patina.

Cleaning the neck is a delicate matter- as it collects the most sweat and grime. Solution is spit. Saliva actually the safest and most effective way to clean a fretboard. Cheapest cleaner in town. Once cleaned and dried, I rubbed in a thin coat of fretboard oil.

To fix the neck pitch, I unscrewed it to install a shim. A shim can be anything- credit card, pick, etc. In fact, the Fender guitar factory used to shim most of it’s guitar necks with guitar picks. I like to use a tone wood (in this case, basswood).

Simply drop the shim into the neck pocket like so, and screw the neck back on. This should pitch the neck angle backward, bringing the strings closer to the neck. Good way to test this is to quickly string up one string to see how it plays.

Harmony guitars were cheaply mass produced, with all of the electronics wired to the pickguard. When I tested the wiring away from the body, everything looked and sounded the way it should. Contact cleaner cleared up all crackles and noises.

When I placed the pickguard back on and plugged it in however, I got the same horrible noises. Upon further inspection, it looked as if the input cable was hitting the inside of the body cavity (impact scar pictured), effectively dispersing the current into the wood. Solution- I made the hole bigger, allowing for the cable to input without hitting the wood. It Johnny Marred up the inside surface a bit, but no one sees the inside anyway.

Here it is now, sounds great and plays easy. Before you would have sworn it was one of Jandek’s guitars (perhaps it was). Now it’s ready for the house, if I may make another obscure reference.

Up for auction on Ebay this week!! Click here

Lawsuit Les Paul

Picked this guy up in Belleville, IL as just a neck and body. Had enough pickups, pots , wire and bridge pieces in stock to bring it back to life. There are way too many gutted, forgotten instruments out there that need a second chance! Gotta recycle that rock & roll.

Finish is still amazing, white binding in great shape.

These are often referred to as “lawsuit” guitars, as many were built in the 1970′s, almost perfect copies of Gibson guitars. Obviously these companies were sued into stopping production, leaving a few of these great quality guitars out in circulation. A few, like this one, were produced without any kind of makers mark. Can’t sue em’ if you don’t know who made em’.

Currently up for bid!

See it on eBay here.

Kent Bass Rebuild

Sometime between 1964-1966 in Kawai Japan, this Kent 833 violin style bass was created, and not long thereafter, ended up in the able hands of an Ohio junkyard hillbilly, with desperate dreams of becoming Paul McCartney. My father managed to gig this graceful, sublime instrument behind chicken wire and strippers for a great deal of the mid to late 60′s.

 

For the next 40 years or so, the Kent became a sad reminder of past glories. Every aging rock & roller has at least one- under their bed- in the attic. Lots of old widows are ending up with them, desperate to find someone to take off their hands, carefully albeit.

The design is an obvious tribute to the Hofner that McCartney played, but with delightful horns that paint a pretty damn tasteful picture, considering this was a budget model.

Well, the old fool decided to take up the ghost again, and in his retirement can’t seem to stop playing.

I decided to do a full restore of the Kent. No small feat folks. Luckily, the neck was still straight as an arrow. Just needed a little shim at the heel. Solid triple-bound construction. Back then, even the cheap stuff was made to last. Still quality. Novel.

Neck screws removed

The electronics, on the other hand, were frightening.  I had no idea if the pickups still worked. Plugging it in was risky, and produced screams and farts that would make your hair stand up. I thought of it as cries for help, or confused curses from an angry old man.

The tone and volume potentiometers might have been the best a Yen could buy back in the day, but now they were totally fried. Most of the solder points were broken clean as well.

I bought new pots and wiring, but had to end up reaming out the power plate holes to make the new ones fit. This was approached gingerly, as these guitars are brutally rare, and their little plastic parts more so. (This is the bane of all vintage guitar enthusiasts- the plastic parts that break like brittle little bastards).

New switch, input jack and capacitors. Tighten those tuning pegs (original and still in good shape), adjust the bridge. Clean off a heavy layer of dirt, dust, sweat, beer, blood……you get the picture. Fortify with oil. Beautiful and comforting in a way that can’t be articulated.

The pickups still worked. Success. Tone as tinny or creamy as you like. Loud and wild- like any good guitar. One of those instruments that jump up in your hands, begging to be played. Gave it back to the old man for a birthday present. He was pleased. I’m just glad he’s playing again.

The Newcomers. Dad's got his leg up.